Download PDF Son of the Storm (The Nameless Republic Book 1) By Suyi Davies Okungbowa
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Ebook About "A vibrant tale of betrayal, intrigue, and revolution." —Anthony Ryan, author of Blood SongFrom city streets where secrets are bartered for gold to forests teeming with fabled beasts, a sweeping epic of forgotten magic and violent conquests unfolds in this richly drawn fantasy inspired by the pre-colonial empires of West Africa. IN THIS WORLD, THERE IS NO DESTINY BUT THE ONE YOU MAKE. In the ancient city of Bassa, Danso is a clever scholar on the cusp of achieving greatness—except he doesn’t want it. Instead, he prefers to chase forbidden stories about what lies outside the city walls. The Bassai elite claim there is nothing of interest. The city’s immigrants are sworn to secrecy.But when Danso stumbles across a warrior wielding magic that shouldn’t exist, he’s put on a collision course with Bassa’s darkest secrets. Drawn into the city’s hidden history, he sets out on a journey beyond its borders. And the chaos left in the wake of his discovery threatens to destroy the empire.Praise for Son of the Storm:"A thrilling, fantastical adventure that introduces a beguiling new world . . . and then rips apart everything you think you know." —S. A. Chakraborty, author of The City of Brass"An original and fascinating epic fantasy full of bold characters, bloody action, and brutal politics.”―James Islington, author of The Shadow of What Was Lost"Set in a deftly crafted world of forbidden sorcery, magical beasts, and fractured polities, Okungbowa has created an original and fully conceived new world of fantasy teeming with brilliant possibilities and demanding to be explored!"―P. Djeli Clark, author of A Master of DjinnThe Nameless RepublicSon of the StormBook Son of the Storm (The Nameless Republic Book 1) Review :
I can't get enough of African-inspired fantasies as a Black man, which is why I pre-ordered this book. And boyo, it did not disappoint.This novel is about a genius but somewhat reckless young scholar in the nation of Bassa who is nevertheless subject to racism due to the fact that he is biracial and has light-brown skin compared to the darker Black skin of the majority of the Bassai populace. Danso has a sharp memory and can remember whatever he reads, which gives him a spot high in society despite his ethnicity. He is engaged to a woman named Esheme, a skilled woman from the counsel guild of mainland law. Their relationship is very terse and not quite loving, although they get along fairly enough since both have suffered discrimination with Esheme's mother being from a lower caste.Throughout the novel, Danso will discover that obscure notions of magic written about by a previous Emperor who was known as a madman were not all false, and that there are people out there willing to commit torture and murder if that is what it takes to secure the artifacts to use this forgotten magic. It will change his life and that of his family forever, and Danso's strength and level of perseverance will be tested to its limits.This is a must-read book for Fantasy lovers, and for lovers of Black fantasy fiction in general. Five stars, all the way. This was advertised as a sweeping fantasy inspired by the pre-colonial empires of West Africa. That was true. I loved the setting and the world of Son of the Storm . It felt incredibly refreshing in a genre that tends to be heavily conflated with the same sets of fantasy tropes. It addressed issues of racism, colonialism, caste and class, and hierarchies of oppression - that is fabulous to read. Now, how does it do as a whole?Firstly, there are so many great ideas and concepts in this story. In the first act, through the eyes of the protagonist Danso, a naive and biracial university student, we witness Bassai (the main setting of the story) society and culture in action. We observe the casual racism that he endures being a part of a society that heavily discriminates against people who have light-brown skin, despite the fact that he is fiercely intelligent and avoids getting into trouble. In the second act, we often see a lot of discussions concerning the environment, how the practices of the great city of Bassa have exploited the surrounding lands, at the detriment of wildlife and other populations of people. There is a lot to love about the subject matter and themes that this book covers.It hurts me to say that I did not think they always landed.However, they did not land because the author failed to explore them in an appropriate manner. He extensively has characters converse with one another about these things, there are scenes where characters even acknowledge their own privileges as members of Bassa and recognize how they treat some people as second-class citizens. No, the themes did not fail to land due to thematic shallowness. While the ideas held a lot of potential, they were often undercut by technical writing decisions.Reading the first chapter alone, a reader can deduce that the book is not paced well. You can notice how exposition is spoon-fed and forced in between big paragraphs that are squished against brief snippets of dialogue. This ends up making scenes drag and the world-building becomes unexciting as a consequence of telling rather than showing. There were instances where a character would be referenced and brought up in conversation as influential in the city of Bassa, as a key ally to gain if you want to make a difference in politics because they have such a large pool of communal support. What happens? About less than half a dozen pages later, they would appear and assist one of the main characters to help them in a moment of need - convenient! Furthermore, never have I seen a more observable instance of a 'plot macguffin' than in this book. Items that appear at the most opportune moments and are explained exactly at the perfect point where a main character can work their protagonist powers. Convenient! I was not a fan.In addition, characters are not developed in efficient ways. There is something to how they were presented that makes them across as flat and difficult to become attached to. In the middle stage of the book, there was a lot of noticeable filler - characters were placed in an environment where nothing was really going on and there were a lot of excuses and conveniences that produced conflict and reciting of important information. This would lead to characters arguing and speaking about themselves, but it did not feel earned. It was just boring. These characters were not doing anything interested; other than what they said in conversations to another, the characters did not do many things that they demonstrated their motivations or what kind of people they were. For most of the book, they are caricatures and static. Everything felt artificial and forced as if the story was trying to convince you what kinds of characters they were, rather than showing you and having them develop organically. Esheme was the worst example of this, her character development heading into a direction that did not feel believable.I thought this was a solid fantasy debut and an enjoyable read with a lot of great ideas. But I also thought there was a lot keeping it back from fulfilling its full potential. Nonetheless, a solid read that manages to have its own flavor and not feel like traditional fantasy. 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